CITY ART GALLERY & MUSEUM - Peace Talks by Paul Sermon
 
 
 
 
Peace Talks - An interactive multimedia display by Paul Sermon
Peace Talks presents an absurdist virtual theatre in which performer/users unwittingly participate in a simulated peace talks conference. Utilising the latest broadband videoconferencing techniques, two identical, yet remote, rooms are linked. To begin with, the users are transported into a third telematic space, appearing as four walls and table.
However, as one of the performers moves around they appear to change scale due to an optical illusion reminiscent of Ames' famous distorted room experiment. Moreover, in wearing video display glasses, each user's perception of their physical presence is severely hampered as each relies upon the 'eyes of the camera' to guide their movement. The illusion concludes when the performers relocate to a formal peace talks room, complete with round table, national insignia, papers of declaration and microphones. Sermon explains, "Peace Talks serves to ridicule the absurdity of a peace talk charade, whilst simultaneously offering a tongue in cheek, yet very viable alternative."

Background - In 1992 Paul Sermon produced Telematic Dreaming, a deceptively simple work in which two users - located in two separate rooms - appear, on screen, to lay together on the same bed. This piece, widely shown, internationally, has continued to engage the artist both practically and intellectually; its straightforward approach having been enriched by subsequent technological developments. However, Sermon's art is not determined solely by technological advancements. Over the last decade he has continued exploring the artistic potential of telematics to investigate new forms of consciousness. "The bodily form encapsulates our consciousness. I believe it is possible to extend our consciousness beyond it, as in a telephone conversation or e-mail message, but we are a long way off the conception of it. The bodily form as a signifier is still necessary to identify and locate our consciousness at a distance. Therefore I am not concerned with escaping my form, but rather to look back and observe it at a distance from the outside."

Quote - "Just because language dictates that we touch with our hands and see with our eyes doesn't mean that's all. It's absolutely conceivable that we can also see with our hands and touch with our eyes in just the same way; its a matter of manipulation and definition."

Biography

Born: Oxford
Lives: Manchester
Studied: Fine Art, Newport School of Fine Art, MFA Master of Fine Arts, Reading.
Recent exhibitions:

2003, The Tables Turned - Three Ways, The ZKM Centre for Art and Media Karlsruhe, Germany, The Virreina Palace, Barcelona, The Institute of Culture Madrid, Spain. http://on1.zkm.de/zkm/werke/TheTablesTurned

2001- 2002 Telematic Vision, exhibited inTelematic Connections: The Virtual Embrace, touring USA. http://telematic.walkerart.org/telereal/sermon_index.html

2000- 2001 Telematic Vision, Millennium Dome UK, London ,http://www.landdesignstudio.co.uk

Influences - When thinking about this "Peace Talks" project specifically, my influences are my concerns about the anxiety I feel from the global paranoia that currently resonates through our culture. Personally I feel it would be senseless to concern my artwork with anything other than the political madness around me.

Why do you make art? - Producing a successful succinct piece of art is the most elating experience I have ever had - this is simply what makes me want to produce more work. Unfortunately an unsuccessful work has completely the opposite effect - an experience that every artist is familiar with.

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© Worcester City Museums

 
Further information
 
Paul Sermon
www.paulsermon.org
 
 

Gallery Plan