|
|
|
 |
FOLLIES OF FASHION
Serenna Partridge
Serena Partridge makes accessories and garments inspired by
a passion for European costume, dating back some six hundred
years. Her particular interest is for the flamboyant fashions
paraded by the wealthy élite, such as sixteenth century Venetian
platforms rising to heights of twenty inches or the superfluous
coiffures supported by Marie Antoinette.
|
|
Although her
works contain strong references to the past, Partridge is not concerned
with producing historically accurate replicas. In her work, scale
and proportion are distorted to create curios that send up the frivolity
and futility of life à la mode. French Coiffure with Parasol
features a towering hairpiece with a tiny sunshade lost and ineffectual
at the top. While Dinner Dress of Copper Silk
Taffeta has a normally proportioned head and waist, but ludicrously
long overskirt, a fashion statement that will literally trip the wearer
up.
Despite the comical edge, there is a real sense of tease and titillation
to the work. The Wedding and Evening Shoes have gradient-defying
heels and Court Dress with Coiffure Extravaganza has a vast
side-hooped skirt that hides the thighs and groin, but very much accentuates
them. Arguably, the sexiest pieces are the boots - with all the hints
of lacing, corsetry and manipulation of the body.
Though the work involves endless hours of hand stitching, it isn't
really embroidery. If anything, Partridge is more of a mixed-media
artist who leans towards textiles. She mixes antique fabrics and trimmings
with frankly any material that will achieve the desired effect. Thus,
kid gloves are reincarnated into elongated boots and a fragmented
wedding veil becomes the filling of a six-tier gateau; while heels
are carved in wood, coiffures are fashioned from strands of fine silk
and cases are carefully constructed in glass and edged with patinated
copper.
Partridge renders her follies more mysterious by presenting them as
if they have become museum acquisitions, complete with fictional labels.
Already appearing disembodied, the presentation heightens their anonymous
qualities, as if to distance the viewer from the maker by suggesting
that someone else has selected and displayed these pieces. The 'someone
else' is Partridge in another guise, reflecting her experiences of
working behind the scenes at Churchill House Museum, Hereford and
at Worcester City Art Gallery and Museum. For her, the rather ordinary
process of getting things out of storage was a constant joy. The cupboards,
boxes, wrappings and especially the tissue paper, with its seductive
rustle and texture, were all an inspiration.
Partridge's work has many parallels with classic English storytelling
- from Gulliver's Travels, a story of an imaginary voyage full of
fantasy and invented histories; to Great Expectations, featuring Miss
Havisham, the aging, jilted bride surrounded by the decaying vestiges
of marriage. Children will recognise elements of the elves and the
shoemaker - who else would have fashioned the exquisite blue tie shoes
or silver-fringed mules?
Partridge graduated with a First Class BA(Hons) Degree in Design Crafts,
from Herefordshire College of Art and Design, in 1998. Usually based
in Worcestershire, she is currently on a ten-month residency in North
Ayrshire, working with staff and pupils from Irvine Royal Academy.
|
|
|
|
|
|
|