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Glyn Griffiths 1926 - 1999 : A Retrospective
In a life that was full and varied Glyn Griffiths was, among
other things, a painter and illustrator. He was also a tutor
at Birmingham College of Art in the post-war period. In those
days design and fine art shared the lovely old Margaret Street
building with the School of Architecture. |
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Classes were
small and talent abundant and the place was soaked with a century
of scents; turpentine and linseed oil, tobacco, paint and canvas,
food smells from the students' canteen that two world wars hadn't
been able to close. Drawing was central to almost everything and was
practised constantly, the life models surrounded by batteries of electric
fires in winter. The standard of drawing reached levels of sustained
excellence that have never been surpassed, if ever equalled. Glyn
Griffiths was a tutor in illustration and his students considered
themselves privileged in the college.
In the late sixties, he left what had become Birmingham Polytechnic
and had moved to Cardiganshire, five miles inland from Aberaeron.
There he farmed sheep and grew the first commercial crops of strawberries
and raspberries in West Wales. He also designed and illustrated Welsh
books and, with typical passion, threw himself into the organisation
and publicity for Plaid Cymru. He continued to paint, write verse
and prose and was a visiting tutor to Bourneville and Shrewsbury Schools
of Art.
As with any painting of true quality, Glyn's works hold the viewer's
attention; they may be seen again and again and always offer something
new, and although they show a consideration of drawing, colour and
texture that is sensitive and beautiful, they are much more than the
sum of their parts, Glyn's pictures, particularly the landscapes,
are about the human spirit and the mysteries of its interaction with
the natural world.
Glyn was taught at Cardiff School of Art by Ceri Richards, for whom
he retained a great affection and respect throughout his life, and
he knew many other Welsh painters, writers and musicians.
In 1974, after many upheavals, he moved back to the Teme Valley in
Worcestershire where he lived under the shadow of Woodbury Hill, a
place of immense spiritual and historical significance to him since
it was the last outpost of Owain Glyndwr in his epic struggle against
Henry IV. Glyn was fascinated by these rolling hills and far reaching
views and many of his watercolours date from this period. His final
move was to Herefordshire where, despite the onset of insidious and
persistent illness he produced a number of drawings and where, when
his studio was completed, he occupied his final years with some large
still life's and landscapes.
Glyn was seventy two when he died in 1999. |
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